Ruth Howard
Artist • Consultant • Secular Officiant
this website is still in progress

Naivelt 100th was a site-specific, community-engaged arts project marking the 100th anniversary of Camp Naivelt, the historic and still-active summer home of Toronto’s Secular Jewish Left, located along the Credit River in Brampton.
Developed with the Naivelt community and its parent organization, the United Jewish People’s Order, the project drew on the camp’s rich history as a place of gathering, political activism, cultural expression, summer recreation, debate, friendship and intergenerational connection. It explored how Naivelt has changed over time while continuing to provide a space for shared values, collective memory and community life.
The culminating event was structured as a journey through the site and through time. Visitors moved among a series of Decade Stations, each representing a different period in Naivelt’s 100-year history. Located throughout the camp, these stations combined live performance, storytelling, music, archival materials, visual art and participatory activities. Rather than presenting the history as a single linear narrative, the event invited audiences to encounter it spatially—walking from place to place, listening to different voices and experiencing the layers of memory embedded in the landscape.
The Decade Stations drew from archival photographs and documents, oral-history interviews, community story circles, songs, personal recollections and objects preserved by generations of Naivelters. Some focused on significant political and cultural moments, while others evoked the rhythms of everyday camp life: swimming, dancing, children’s activities, communal meals, performances, debates and long-standing traditions. Together, they created a living portrait of a community shaped by continuity, disagreement, adaptation and renewal.
Community members were not only the subjects of the project but also its collaborators, performers, storytellers, researchers and hosts. Their memories and contributions shaped both the content and the form of the event. The project brought together elders, children, artists, residents, former residents and visitors, creating opportunities for stories to be shared across generations.
Through its combination of performance, archives, movement through place and collective participation, Naivelt 100th celebrated the camp’s enduring significance while acknowledging the social, political and physical changes surrounding it. The project honoured Naivelt not as a fixed historical site, but as a living community whose meaning continues to be renewed by the people who gather there.
Project Gallery
Timeline
1997, A Meiseh for the New World: a site-specific mobile outdoor pageant, in which the children of Naivelt enacted the founding and history of the community, from 2025 to the present, with Lead Artists: Ruth Howard, Chris Smith, Alan Merovitz, Martin van de Ven.
1998, Arum Dem Fayer: a second outdoor pageant, with the same artistic team: this time a fantastical underground quest for water, encountering figures from the past (Red Diaper Moms) and from imagination (an ancient willow tree spirit and a band of Mice Pirates, and a 6-foot high snapping turtle entrance to a water slide). (link to pageant gallery & program)
2006-2008, Oy Di Velt Vet Vern Yinger: blending archival material, oral history, performance, and contemporary reflection. Write more here! (link to Oy Di Velt program, gallery, videos)
2009, Parade of Passions: an interactive afternoon of wandering the hills and cottages of Naivelt, while community members offered tastes (figuratively and literally) of their hospitality, hobbies and interests. This event led to a Music Week and Art/Creative Week being offered at Naivelt each summer: a legacy of the community plays and pageants that had been so impactful.
2019-2023, Naivelt Art Weeks: Art Weeks emphasized creative exploration, home-grown talents, volunteerism and transmission of cultural knowledge amongst multi-aged participants. Early Art Weeks were sometimes facilitated by Michael Burtt, a Naivelt resident and Artistic Director of Making Room Community Arts (a Jumblies adopted Offshoot). Ruth Howard stepped in to guide a series of Art Weeks just before and during the Pandemic summers: linking activities to her own projects within and outside of Jumblies (Grounds for Goodness, Belongings), bringing in other Jumblies-affiliated artists (Catherine Moeller, Jesse Wabegijig, Rakefet Arieli, Tijana Spasic. (link to Art Week gallery)
2024-25, Naivelt 100th:Write more here!... Like the projects before it, this project shaped through collective participation, site-responsive creation, and a deep attention to the layered histories of the place.
These Naivelt Projects reflect a sustained commitment to working within community: embracing controversial subject-matter in nurturing and non-coercive ways, valuing memory and history while embracing change: creating shared experiences that connect past, present, and future.
Collaboration
This program was in collaboration with:
1997, A Meiseh for the New World: a site-specific mobile outdoor pageant, in which the children of Naivelt enacted the founding and history of the community, from 2025 to the present, with Lead Artists: Ruth Howard, Chris Smith, Alan Merovitz, Martin van de Ven.
1998, Arum Dem Fayer: a second outdoor pageant, with the same artistic team: this time a fantastical underground quest for water, encountering figures from the past (Red Diaper Moms) and from imagination (an ancient willow tree spirit and a band of Mice Pirates, and a 6-foot high snapping turtle entrance to a water slide). (link to pageant gallery & program)
2006-2008, Oy Di Velt Vet Vern Yinger: blending archival material, oral history, performance, and contemporary reflection. Write more here! (link to Oy Di Velt program, gallery, videos)
2009, Parade of Passions: an interactive afternoon of wandering the hills and cottages of Naivelt, while community members offered tastes (figuratively and literally) of their hospitality, hobbies and interests. This event led to a Music Week and Art/Creative Week being offered at Naivelt each summer: a legacy of the community plays and pageants that had been so impactful.
2019-2023, Naivelt Art Weeks: Art Weeks emphasized creative exploration, home-grown talents, volunteerism and transmission of cultural knowledge amongst multi-aged participants. Early Art Weeks were sometimes facilitated by Michael Burtt, a Naivelt resident and Artistic Director of Making Room Community Arts (a Jumblies adopted Offshoot). Ruth Howard stepped in to guide a series of Art Weeks just before and during the Pandemic summers: linking activities to her own projects within and outside of Jumblies (Grounds for Goodness, Belongings), bringing in other Jumblies-affiliated artists (Catherine Moeller, Jesse Wabegijig, Rakefet Arieli, Tijana Spasic. (link to Art Week gallery)
2024-25, Naivelt 100th:Write more here!... Like the projects before it, this project shaped through collective participation, site-responsive creation, and a deep attention to the layered histories of the place.
These Naivelt Projects reflect a sustained commitment to working within community: embracing controversial subject-matter in nurturing and non-coercive ways, valuing memory and history while embracing change: creating shared experiences that connect past, present, and future.






